The Audience:
Different genres attract different audiences, different films will attract different ages, races and cultures, and each genre's audience will hold expectations for their genre.
Slasher movies are a sub-genre of horror. The audiences will expect generally high levels of violence involving a lot of blood, and most genres have the binary opposites with the protagonists being a group of teenagers and the antagonists the killer. Friday the 13th (Danny Steinmann, 1985) is a good example of this and in showing the narrative structure of the contemporary slasher film, with the killer with a mysterious identity who attacks the group of young teenagers.
The first box office success was John Carpenter’s Halloween (1978). The film cost only three-hundred-thousand dollars to create and made roughly fifty-million dollars, and films like this persuaded Hollywood to continue creating them which is where the slasher genre was made.
Narrative Structure:
Slasher films rarely stray from Tordov’s structure of narrative, and a classic film that demonstrates this is John Carpenter’s Halloween (1978). For example this structure starts with a state of equilibrium, where the couple of teenagers are being as a normal teenage couple. There is then a disruption to the equilibrium, where a killer begins to stalk them. The disruption is then noticed when the girl is murdered. The attempt to get things back to normal is when the killer is sent to a mental asylum, but then breaks out. Equilibrium is then reinstated when either the ‘killer’ is killed or the final teenager is killed.
Different genres attract different audiences, different films will attract different ages, races and cultures, and each genre's audience will hold expectations for their genre.Slasher movies are a sub-genre of horror. The audiences will expect generally high levels of violence involving a lot of blood, and most genres have the binary opposites with the protagonists being a group of teenagers and the antagonists the killer. Friday the 13th (Danny Steinmann, 1985) is a good example of this and in showing the narrative structure of the contemporary slasher film, with the killer with a mysterious identity who attacks the group of young teenagers.
The first box office success was John Carpenter’s Halloween (1978). The film cost only three-hundred-thousand dollars to create and made roughly fifty-million dollars, and films like this persuaded Hollywood to continue creating them which is where the slasher genre was made.
Narrative Structure:
Slasher films rarely stray from Tordov’s structure of narrative, and a classic film that demonstrates this is John Carpenter’s Halloween (1978). For example this structure starts with a state of equilibrium, where the couple of teenagers are being as a normal teenage couple. There is then a disruption to the equilibrium, where a killer begins to stalk them. The disruption is then noticed when the girl is murdered. The attempt to get things back to normal is when the killer is sent to a mental asylum, but then breaks out. Equilibrium is then reinstated when either the ‘killer’ is killed or the final teenager is killed.
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